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Jonghong Park is an artist and designer based in Bremen. His work focuses on discovering, researching, and revealing inherent relational algorithms from nature, mundane artifacts, technical objects, and human behaviors, and exploring new media and digital technologies. He has worked as a designer in several studios in Seoul and is currently studying digital media at the University of the Arts Bremen in Germany.

Email: jonghong83@gmail.com


[New Media Caucus] Judson-Morrissey Excellence in New Media Award 2021 | [Mapping Festival 2051] Geneva, CH. 2021 | [European Media Arts Festival No. 32] Osnabrück, DE. 2019 | [CLOT Magazine] JONGHONG PARK, creation by observation. by Lidia Ratoi | [CreativeApplicationsNet] Bit - the demise of chance and the rise of algorithm. by Filip Visnjic | [Neural Magazine #62] Bit, (un)predictable systems | [Domus] Two kinetic installations reveal the soul of the machines. by Salvatore Peluso | [Hackaday] ‘Bit’ installation combines art, Markov chains by Lewin Day | [Hackaday] The battle between robot harmonica and machine finger rages on. by Lewin Day | [ArduinoBlog] Bit clicks away to illustrate complex interrelationships | [DesignTellers] The search for the soul in two MEKA installations in Jonghong Park
Jonghong Park
About

Begegnung

Sound Installation, 2017-2018

Nature is never created by the material alone but is formed by numerous encounters. All of these natural encounters are expressed in various forms of sound. How than can we explain an intentional encounter between humanity and nature? the installation Begegnung deals with the accidental encounters of nature and the intentional encounters of humans.








It is raining. Let this book therefore be, before all else, a book about ordinary rain. Malebranche wondered 'why it rains upon sands, upon highways and seas', since this water from the sky which, elsewhere, waters crops (and that is very good), adds nothing to the water of the sea, or goes to waste on the roads and beaches.

— Althusser, Louis. Philosophy of the Encounter: Later Writings, 1978-87

The encounter between raindrops and glass is accidental. The positions of the raindrops on the glass are different though they look similar. No meaning or relationship is found in the position of the raindrops on the glass. Conversely, the motion of the wiper is intentional and has a repetitive pattern. The wiper is activated to wipe the raindrops from the glass. It depends on the amount of raindrops. The encounter between the raindrops and the glass is a coincidence, but the encounter between the wiper and the raindrops is intentional.


Harmonic table note layout


The machine produces both intentional and accidental sound through this accidental and intentional encounter. On the glass plate, specific notes composed of diatonic seventh chords (CM7 Dm7 Em7 FM7 G7 Am7 Bm7b5) are set. At the moment when the wiper and the raindrop meet, the waveform of the specified note is randomly deformed. As a result, the sounds we hear are an intentional harmonization of the diatonic seventh chords, as well as accidentally deformed waveforms. The scales produced by the wipers and raindrops are intentional and limited, but the musical transformation that the software makes is again accidental.

The machine is driven by a wiper and a wiper motor. The motor is equipped with a raspberry pie 3 board and measures the position of the raindrop through a camera. The measured position values of the raindrops are converted to a specific note through the Harmonic Table Note Layout. When the wiper meets the raindrops on the glass, it emits the specified sound from the pure data. The measurement of the positions of the raindrops was completed with the ofxCvPiCam OpenCV Library. The Harmonic Table Note Layout has been implemented through Openframeworks.

SPECS

Dimensions : 1.1m x 0.5m x 0.7m
Materials : glass plate, wiper, wipermotor, waterpipes, Raspberry pi 3, Camera Module, 3.5inch LCD, 2ch speaker, Puredata, custom software.

Developed at the University of the Arts Bremen